Square composition, British character-comedy promotional cover with a wide flat comic-strip graphic footer integrated beneath the photographic scene, the footer formed from a uniform deep-violet rectangle with an irregular cream zigzag border running along its upper edge, the exact visible title "7117's Chubby/BBW Chav Girls" centred within the footer across balanced horizontal lines in thick ivory hand-lettered comic display capitals, slightly varied upright character widths, rounded corners, strong dark outlines and neatly separated words, restrained hot-pink radial burst shapes behind the outer ends of the lettering, clear readable type with the entire headline contained within the opaque footer; Vicky Pollard, a fictional ***** British woman with a markedly obese, broad and rounded figure, full cheeks, pronounced soft double chin, thick upper arms, heavy bust, large projecting abdomen, broad waist and wide thighs, lightly freckled fair skin with a warm flushed complexion and realistic texture, bottle-blonde hair with visible darker roots arranged in a very high fluffy-scrunchie pineapple ponytail, short blunt fringe and long loose sections over her shoulders, oversized gold hoop earrings, layered gold-plated chains and a chunky gold-tone bracelet, dark pencilled brows, thick uneven black mascara, black eyeliner, pale frosted eye shadow and glossy coral-pink lipstick, wearing a mauve cotton sweatshirt with a large pastel butterfly illustration across the front, dropped shoulder seams, slightly gathered cuffs and a broad ribbed waistband stretching comfortably over her full stomach, a burgundy-and-cream tartan pleated jersey skirt with an elasticated waistband, dark ankle socks and chunky white trainers, the sweatshirt forming natural folds around the upper arms and abdomen while the skirt spreads over her thighs as she sits, seated sideways in a worn red vinyl booth in a small British neighbourhood café, pale Formica tabletop, chrome napkin dispenser, ceramic mug, brown-sauce bottle and a large window with softly blurred pedestrian reflections, her near forearm resting on the table and the other hand loosely holding the mug handle, torso turned back toward the camera, head tilted slightly to the side with pursed lips and a raised eyebrow, medium seated portrait revealing her shoulders, full abdomen, hips and upper thighs, camera close to seated eye height from a shallow diagonal viewpoint, diffuse grey window daylight mixed with warm overhead bulbs and modest compact-camera flash, mauve, burgundy, cream and red palette, visible cotton fleece texture, natural skin contours, realistic seated garment folds, mild early-digital sharpening and British television-comedy publicity photography.
